You know, like in Jamaica, you’ll have a riddim and it’s like, everyone has to do a song on that. Imagine that in rap, or imagine that in R&B. Imagine if we got one beat and every single person—me, this guy, this guy, all these guys—had to do a song on that one beat. So sometimes I’ll pick a beat that’s a bit, like, sunnier, I guess is the word you used, than usual, and I just try my hand at it. And that’s kind of what ‘Hotline Bling’ was. And I loved it. It’s cool. I’ve been excited by that sort of creative process.

What do you think? Does D.R.A.M. deserve credit for "Hotline Bling"?  


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